Rumpus submissions series#
She teaches creative writing at the University of San Francisco as well as The Writing Room. THE RUMPUS SUBMISSIONS SERIES We also have a special interest in flash fiction, and brief series of flash pieces While we do occasionally publish longer pieces, we prefer our stories to come in at around 3,000 words. Her debut novel, The Painting, was published by Algonquin Books of Chapel Hill and was nominated for the Northern California Book Award. It won the 2014 Next Generation Indie Book Award for General Fiction and was shortlisted for the William Saroyan International Writing Prize. We are looking at doing readings in the near future amongst other projects SO if you would like your project to be considered please submit the script or. We are looking for all types of projects- dance, plays, film, etc. Nina Schuyler’s latest novel, The Translator, was published by Pegasus Books. Wild Rumpus Productions are now open to submissions. She is currently at work on an essay collection and pursuing a graduate certificate in science writing from Johns Hopkins, all while drinking way too much caffeine. While she is a health/medical writer by trade, she also loves writing about books, literature, and pop culture. She earned her MFA in creative nonfiction from Columbia University in 2014 and has graduate degrees in various health fields. has an MFA from Columbia University, and she runs an interview series on Fiction Advocate called “Non-Fiction by Non-Men.” You can visit her website at see her tweets at and read her haikus about strangers’ dogs at. Her work has appeared in The Rumpus, The Toast, The Butter, xoJane, Ploughshares online, and the anthology The Places We’ve Been: Field Reports from Travelers Under 35, among others. Bartels is from Massachusetts and writes nonfiction. Have you been conned out of money, ripped off by a company or received an inadequate service Please click on this link to apply. Verbal submissions from All Construction Approvals representatives supporting the. Originally from Georgia, he now lives in Rhode Island, where his primary employment is explaining why he doesn’t have an accent.Į.B. proposed rumpus room to have no road boundary clearance to withheld. He has worked as an in-house book cover designer for both Little, Brown and Simon & Schuster and served as Interviews Editor for The Rumpus.
Matt Tanner is a writer, editor, and recovering graphic designer. He lives in New York City and at DIRECTOR
He is also the author of The Real Holden Caulfield and Words, Words, Words: The Infinite Jest Liveblog. Michael Moats is mostly a writer for other people, and has written for a governor, cabinet officials, a presidential candidate, and a couple of CEOs.
Rumpus submissions full#
His writing has appeared in The Millions, Full Stop, and Gigantic. He used to be the Books Editor at The Rumpus and the linguistics editor at Oxford University Press. Contributors to our web site have won the Pulitzer Prize, the National Book Critics Circle Award, and the PEN/Faulkner Award.īrian Hurley is an editor at Callisto Media, a book publishing start-up in the San Francisco Bay Area. Our award-winning books have been praised by The New Yorker, The Paris Review Daily, and NPR. Subscribe to the Rumpus Book Clubs (poetry, prose, or both) and Letters in the Mail from authors (for adults and kids). We equip adventurous readers with trailblazing criticism, craft, and biography so you can explore literature in new ways. We believe that literature builds communityand if reading The Rumpus makes you feel more connected, please help us keep the magazine going Get your Rumpus merch in our online store. How was it poetry trusted him with this brand of intelligence? Every piece of an Allan Peterson poem feels like a machine of soft cogs with soft balls rolling among them, and all delicately snug against one another.Fiction Advocate is a small press and literary community. His is the bounty of Imaginative Intelligence. The miracle of Fragile Acts and All the Lavish in Common is how the poems keep their reader situated, balanced, between, OK, cared for. Imagine a soft rolling ball, the movement of one image tumbling so easily into the next, or an image that could shift its weight slightly, but enough that any reader, even the trained poetry reader, would wince, because it feels like the poem might possibly slip, as though Peterson is going to let the poem fall off this delicate, so comfortably soft ball. I thought, To read an Allan Peterson poem is to expect the precarious, the poised, the anticipatory, the appointed.
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